Course Correction

To give oneself in service

Seems a holy act to me

Words are mere escaping breath

It’s deeds that must define you

And in my unreflected state

I mistook deeds for love

You can’t fake your way through

This tidal wave of mishandled years

As it crashes on the shore of memory

Obliterating all those fragile structures

Built by the ego from the detritus of time

Those scaffolded shadows dragged from

Cold and bitter caves where we once dwelled

Look! Look! The water rises faster

Is this an ending or beginning?

Child, there never were such things

The sum of our endeavours

This human wrack and thunder

A single dancing mote upon the beam

(23/12/2023)


Poetry is concealed truth. Poems are true, but they are best when that truth sidles into your understanding without you needing to directly perceive it. When they leave feelings and questions that linger in your mind and in whatever it is we call a soul. Writing poetry has helped me say things about myself that I don’t know how to say, which is why I rarely give context for my poetry. A good poem tells its own story, but sometimes we must defy convention.


After laughing way too hard at too many autism memes, I did a self-assessment.

Well shit….

This hit so much harder than finding out I have ADHD (and before you call me out for self-diagnosis, know that this is a questionnaire that clinicians use.) I haven’t felt grief like this in decades, as if someone died. That someone is the old me.

I am shaking as I write this. My understanding of myself has been radically altered. That’s why all my books are full of desperate, rootless young men dying to be seen, be accepted, be useful. Human behavior has always been opaque to me. I spend inordinate amounts of time thinking about what people think of me. If I can be of service to them, they’ll want to keep me around.

As a consequence I am superb at masking. At shielding myself behind a radical aesthetic that is itself a hyper-fixation, giving the world a curated version of myself. My aesthetic is a form of service, for one of my aims is to be the most interesting thing someone sees that day. But I’m not fully out to everyone close to me, so I am always consciously performing. Why not come out? Because honesty is terrifying.

I need to know that I can be wholly myself with the people I trust. To know this, I have to trust that when I show up as myself they will accept me as I am. To find safety I have to plunge into the abyss. Again.

But I’m tired. Tired of not saying these things, tired of faking it. Sometimes no matter how hard you fake it, you never will make it. But maybe you’re trying to make the wrong thing. Maybe you can just be yourself.

I’ve been with my spouse for almost three decades and I’m still convinced he’s going to decide one day that I’m too damn much for him and leave me. Like, calm down. But expressing this to him seems physically impossible. When I’m emotional, I can’t speak. I can write (I say as I’m crying into my keyboard) which sort of makes sense because speech and writing are controlled by different parts of the brain. Autism impacts the speech centre.  If I want to say difficult things to my husband, I have to write them down and read them off a script.

So be it. If that’s what it takes. There’s no shame in it. We make life more difficult than it needs to be. If you think life is unkind, start being kinder to yourself. If you keep falling short of your target, move the target closer. If you don’t know what to do, try writing a poem.

Try. You are stardust. You have galaxies of time embedded in your every cell, meteorites in your veins. Become what you are. You are infinite.

Last Call at the All Hearts Cabaret

I want to be yours

I want to belong

I want you to know by the time that I finish this song

that this is as close to forever

as anyone gets

I want all those years

that I’ve counted in tears

to be worth what it cost me in ruined ambition and fears

I want to let go of whatever

is holding me down

These are heavy chains to wear around my heart

these calculated measures that are taking me apart

these broken frames

these stolen names

this work of art

Landscapes of the body, artistry made flesh

where the sex is second guessing and the hell is always fresh

where hell is other people’s eyes consuming you in slices

But you smile and wave and carry on pursuing your own vices

These broken frames

these stolen names

this work of stealing everybody’s heart

I wanted you to know before we end this dazzling show

that this is as close to forever

as you can get

[exeunt, pursued by Time]

(2023)

Mere Anarchy

before we knew what time was

we had five year plans

ten year

millennia

we thought each day would be just like the last

that the seasons’ passage did not erode but fortify

our allotment of breaths

this sense we have of timelessness

of needlessness:

a lie

time devours your enemies

more surely than you ever could

hold fast

for the centre has been loosed

mere anarchy enough to mute

their serpentine refusal

their temptation not to know but to deny

hold fast

two words

infinite meanings implicated

in the order of their syllables

hold fast

at this sticking point

this point of flesh

this knowingness

this ganglion incretion

towards your ulterior motives

this lawless urge to plunder

oneself

(July 2023)

What to Wear: Pride 2023 edition

I want to dress in sackcloth

drag noir

all black

a shroud

to mourn the death of

liberty and justice

the murder of fair decency

the silent suffocation some would subject us to

or shall we remain resplendent

arising prism hued

aligned with our true purpose

yet wearing one black armband

for those whose footsteps

are now only echoes

(June 12, 2023)

I’m so tired of fighting for the right to exist in my own body. But I’ll be damned if I’m going to let that stop me.

This body is a battleground.

No surrender.

20 – Territory

a single upright square-edged boulder stands on a cliff edge like a sentinel, against a backdrop of the sparsely treed, pyramidal hills of Africa's Rift Valley

and there is in all of this a wish to disappear

to obliterate our old selves in a

burst of glittering gold

emerge phoenix-like from our own ashes

the pyre of history

the stubbled field of our ancestors

before the coming of the seed

I owe you nothing that you cannot

get for yourself

there is no debt between us

your unasked for gifts

left at the side of the road

leading to un-ceded territory

I owe you nothing in return

for all the nothing you have given me

as we meet empty-handed on the precipice

all of us straining for

a glimpse of

tomorrow

(2023)

This poem is part of a semi-published series called Body of Work, an ongoing dialog with identity and self-knowing.

WHY I READ* ROMANCE

TL:DR because I don’t trust other fiction.

I toddled down a rabbit hole this morning.  I say toddled because I got myself out so quickly instead of losing 2 hours to doomscrolling.

I was following a series of increasingly strident flags declaring that THIS  is “the great gay American novel.”  And I mean, I like great novels and gay people and am interested in America and anyone who has the nerve to lift the curtain.  But like I always do, I started by reading the worst reviews. That’s where the gold is, the truth, the ick, or in some cases “this was too horny for me and had too many queer characters” in which case it’s a one-click buy. But sometimes it’s:

“FUCK. THIS. BOOK.” 

That’s a one-click read, that review. If it inspires such vitriol then either it’s a masterpiece or a steaming turd.

Ah.  The latter.

Because I’m absolutely not a little bit sorry, but The Great Gay American Novel is not allowed to be a goddamn Kill-Your-Gays trope.  Not a fucking chance.

We’ve heard those stories. They’re called queer history.  Despair, isolation, mental illness, and often the only defence is to destroy all human feeling in your soul so you don’t have to cope with the fact that if everyone knew you for who you are, they wouldn’t just hate you, they would want you dead.

Boring.

Boooooooorrrrrrrring because it’s horrible and spiritually deadening and it still happens in real life all the time and so we don’t need a 700 page novel about a loser who spends the whole book being awful to everyone and experiencing zero emotional growth but he just happens to be a gay man in a book about gay men so that makes it THE GREAT GAY AMERICAN NOVEL. It just feels like more trauma porn: look, here’s a walking, talking tragedy, let’s zoom in closer on all his faults. Now closer. NOW CLOSER. 

Look, I haven’t read this book and under no circumstances will I ever read it (ok, a million dollars but I get half in advance.) I am basing my opinions on one review and the blurb of the book. And an interview in which the author said they didn’t believe in psychology and that people who were broken should essentially just stay broken.

That’s when I realized I’d *never* read the book, nor probably anything else this author has written. The way to help someone who is broken is to see them, hear them, love them, help them. “I see your pain.  Your pain is real.  Pain ends.  I trust you. I believe you.” You don’t shrug and then take character notes.  I refuse to read 700 pages about someone who refuses to grow, who gets no help, and whose main characteristic is being an irredeemable piece of shit.  Just sounds like a novel about straight people.


*and write

An incidental cruelty

Hi, welcome to adult-diagnosed ADHD for women, where today you’ll learn that:

While scientific evidence is still emerging about how changing hormones can impact ADHD Janine feels the link was undeniable. Oestrogen helps to modulate the release of dopamine in the brain. When Janine’s level of oestrogen began to drop as she entered perimenopause, the ADHD symptoms she had been able to manage became much harder to deal with.

ADHD can have a significant impact on people’s lives — even when you’re an adult – ABC News

I was today years old when I learned that. You might not have been masking intentionally. Your ovaries were doing it for you. As their function declines, so does your dopamine supply. An incidental cruelty. Aging isn’t a punishment, it simply is, but that doesn’t make it easier.

Might explain why I recently got back into Drum & Bass. I’m rather a connoisseur of dopamine stimulation (within the boundaries of my enduring motion sickness and terror of deep water) and there’s something about playing a belting dj mix as I rocket around my empty kitchen at 5 am that helps the rest of my day run smoothly. I’ve already invoked some chaos, gleefully triggered some joy. It’s a smooth run from there.

5 – Pattern

stay busy stay too busy to think

this will work for a while

all the tricks work for a little while

but you become immune

too tolerant of everything

too tired of reflecting

you are so tired from thinking that you have no energy for anything else

avoidance is a kind of lying

if you’d only stayed busy

if you’d only not started getting up alone

hours and hours to pick apart yourself

to feel yourself unravel

to knit yourself anew to contain the rest of the day

but you’re fraying

the pattern is an old one

thumb print blurred

missing corners

the needles slip

your fingers cramping

and there is never any less day

stay busy

or you will come

undone

This is the 5th in a recent series of poems and statements building up around a common theme of identity. I am writing them more for myself than the public, as a tool for introspection, which is why this is the first I’ve posted.

I started this blog as a place for my raw, ragged thoughts then stupidly went and made it a component of my writer’s online persona.  I wish now that I had kept it separate, but anyway I have never been a private person so if this is how I meet the world, so be it. 

you are so tired from thinking that you have no energy for anything else
 
avoidance is a kind of lying

The distance between thought and action (and speaking is an action) can be difficult to bridge.  Poetry is such a bridge: metaphoric, image-making, employing rhyme and meter to produce a sense of coherence, a miniature tautology, a universe complete unto itself.  Meaning from non-meaning, because the best poems are so light they might blow away on the next breeze. 

“It’s dark because you are trying too hard.
Lightly child, lightly. Learn to do everything lightly.
Yes, feel lightly even though you’re feeling deeply.
Just lightly let things happen and lightly cope with them.”

Aldous Huxley, Island