Course Correction

To give oneself in service

Seems a holy act to me

Words are mere escaping breath

It’s deeds that must define you

And in my unreflected state

I mistook deeds for love

You can’t fake your way through

This tidal wave of mishandled years

As it crashes on the shore of memory

Obliterating all those fragile structures

Built by the ego from the detritus of time

Those scaffolded shadows dragged from

Cold and bitter caves where we once dwelled

Look! Look! The water rises faster

Is this an ending or beginning?

Child, there never were such things

The sum of our endeavours

This human wrack and thunder

A single dancing mote upon the beam

(23/12/2023)


Poetry is concealed truth. Poems are true, but they are best when that truth sidles into your understanding without you needing to directly perceive it. When they leave feelings and questions that linger in your mind and in whatever it is we call a soul. Writing poetry has helped me say things about myself that I don’t know how to say, which is why I rarely give context for my poetry. A good poem tells its own story, but sometimes we must defy convention.


After laughing way too hard at too many autism memes, I did a self-assessment.

Well shit….

This hit so much harder than finding out I have ADHD (and before you call me out for self-diagnosis, know that this is a questionnaire that clinicians use.) I haven’t felt grief like this in decades, as if someone died. That someone is the old me.

I am shaking as I write this. My understanding of myself has been radically altered. That’s why all my books are full of desperate, rootless young men dying to be seen, be accepted, be useful. Human behavior has always been opaque to me. I spend inordinate amounts of time thinking about what people think of me. If I can be of service to them, they’ll want to keep me around.

As a consequence I am superb at masking. At shielding myself behind a radical aesthetic that is itself a hyper-fixation, giving the world a curated version of myself. My aesthetic is a form of service, for one of my aims is to be the most interesting thing someone sees that day. But I’m not fully out to everyone close to me, so I am always consciously performing. Why not come out? Because honesty is terrifying.

I need to know that I can be wholly myself with the people I trust. To know this, I have to trust that when I show up as myself they will accept me as I am. To find safety I have to plunge into the abyss. Again.

But I’m tired. Tired of not saying these things, tired of faking it. Sometimes no matter how hard you fake it, you never will make it. But maybe you’re trying to make the wrong thing. Maybe you can just be yourself.

I’ve been with my spouse for almost three decades and I’m still convinced he’s going to decide one day that I’m too damn much for him and leave me. Like, calm down. But expressing this to him seems physically impossible. When I’m emotional, I can’t speak. I can write (I say as I’m crying into my keyboard) which sort of makes sense because speech and writing are controlled by different parts of the brain. Autism impacts the speech centre.  If I want to say difficult things to my husband, I have to write them down and read them off a script.

So be it. If that’s what it takes. There’s no shame in it. We make life more difficult than it needs to be. If you think life is unkind, start being kinder to yourself. If you keep falling short of your target, move the target closer. If you don’t know what to do, try writing a poem.

Try. You are stardust. You have galaxies of time embedded in your every cell, meteorites in your veins. Become what you are. You are infinite.

Red State

A stack of aged hardcover books sits on a plain wooden shelf beside a blank notebook and a pen.

Writers weep and howl and pour out anguish in the form of words

Wanting to be seen and wanting others to be heard

Seek the neglected beauty in strange thoughts and hopes and faces

Fantastic worlds where power lurks in unexpected places

Where the wicked is the one who doesn’t see the witch,

While the open hearted hero is the one who will be rich

I want it all, the universe, contained between these pages

Where happiness belongs to those who have wept in other ages

Alone, I am surrounded by the ghosts who I invoked

A symphony of voices that in other times were choked

I am not worth of this message, this divine immanence

This way of saying damn the guards as I reach across the fence

Please take my hand, we haven’t long, I see their fires on the hill

If we don’t save these books from burning

Who will?

(Will Forrest, 2023)

16 – Tear

they

said

my

eye

was

red

because

I

had

a

blocked

tear

duct

because

I

hadn’t

cried

enough

lately

and

I

said

how

the

fuck

is

that

possible?

(2023)

This poem is part of an ongoing dialog with identity and self-knowing. I’ve been buying a lot of new Canadian poetry at independent book fairs and am struck by its precision. A descriptive poetry, emotional but not instructive the way I find a lot of modern poetry can be. The poetry I like the best says “here we are, you and I, and this is what that’s like for me.” And the “you and I” can be anyone: you and everyone, you and no one, you and the world, you and yourself.

You maybe don’t have to love yourself. You can maybe just be satisfied with yourself and that will be enough for now. You don’t have to love toast but you might happily eat it every day. The heart is a muscle and all muscles need training. Even when the heart is metaphor for the locus of all your emotions, it must still be trained. If you want to move mountains, you start with one stone.

It is possible to exercise love for all creation by annihilating the self, but the empty vessel is itself a conceit, an opportunity only afforded in a society of abundance. If we are all Buddhists, who fills our begging bowls? Most of us must wade through the muck of our attachments–to spouses, children, parents, life–but to do this well requires an open, active heart. Brave-heartedness, the will to show love despite the countless reasons not to, will be key to our survival in the coming decades. Shallow, angry thinking cannot save us from our selves. We need more and stronger love.

We need more tears.

The Keeper

swearing cheapens everything

it fucking does

I went away to practice my elocution

why do you have to sexualize everything

you’re the one who insisted on the mountains

the snow like cream

the foothills dank with fir

sappy air that ignites when you snap your fingers

such danger

much fear

I went to practice elocution

the shape of words and

the morals

to every fairytale

eat the apple: sleep a thousand years unchanged

then fuck a prince

“so what’s the catch?”

(2023)

Have I written any poems this year?  I keep posting old poems to Insta because I’m lazy and I need content. I don’t write poetry with any diligence. Only when the words need to be poems and not my standard prose. 

But I went to an indie book fair yesterday.  Everyone in my town is a poet or knows a poet.  Pretty, pretty books everywhere. This is what I bought:

A photo of two books laying on a desk.  The book on the left is “Poetry is Queer” by the author Kirby. It has a light purple cover with a picture of a surreal phallic shape outlined by white buttons and filled in with googly eyes. This shape is passing through a circle of white buttons.  The book on the right is “Dream Rooms” by River Halen.  The cover is mainly black with bold white text and a colourful photo of hundreds of pieces of discarded chewing gum.  Both books are very, very queer.

A brief reply

what if

the fact that

we make all meaning

wasn’t so frightening

what if

all that happened to you

simply happened

not by some secret choice

not by your soul’s decree to test you with this struggle

not by some greater need for you to know this pain

but just by chance

by the unequal equilibrium of time

and your passage through it

pain is not a prize

neither is its end

what if

we learned to love

the fact that

there is

nothing

to love

(2022)


I rarely explain my poetry.  If the meaning isn’t embedded in the words and cadence then I’ve written it wrong.

In this case I wish it known, as I am attempting to offer a counter narrative to the idea that suffering is both virtuous and necessary.  Trauma isn’t really a gift.  It isn’t a magical “teaching.”  It’s one’s recovery from a painful or stressful experience that is the teaching.  Trauma is the damage that occurs when we have no teacher.

Suffering in itself is not particularly noble. Maybe you need to believe it is, as part of your journey to overcoming your trauma, but it was not and is not necessary for you to experience pain in order for you to be a whole person.  The nobility of suffering is a lie of power, to make the oppressed love their oppression.

You do not need to burn in order to rise.

You didn’t deserve to be hurt.

Photo by Raimond Klavins on Unsplash

Why write?


Because it seems impossible not to

Because at least i will remember what i had to say

Because i am so very afraid of someone reading what i have written

Because the world has enough “unsuccessful” artists wallowing in insecurity, waiting endlessly for unobtainable perfection before they “enter the world.”  You are already in the world.  You have always been in the world.  There is nothing but the world.  Be in it.

Because we have so much awfulness to get through

Because silence is deadly

Because more is not worse

Because math

Because it’s not impossible that I might actually be nearly as clever, almost as acute and expressive, as I expect a good writer to be

Because there’s only one way to find out

(2021)

The Truth About Clouds

there’s no such thing as clouds she said

I asked her to explain

she said

the clouds are just a metaphor

if you touch them

they aren’t there

dissolved by our attention

like particles avoiding a dark plate

suspended in ten thousand tons of water

depending on which technician lifts the lid

huge somethings made of nothing

the weight of mountains

mist fading from your grasp

before you even close your hand

a metaphor, she said

for water’s longing for the sea

(2022)

Liars

in the time of writing poems

the words said no

they said

you have not earned us

you have not bled us from your fingertips

until your heart is a wrung-out rag

you have not wept

no stone has lodged itself in your intestines

cold lurking with the promise of pain

we owe you nothing

said the words

not knowing how they implicate themselves

liars every one

for here is the poem

that they

refused

to write

(April 2022)

Memories of a gallery

Making meaning. Can that be a calling?

scribe

conduit

fingers blindly falling

vomiting poetry

verse coming out of my ears

words from my hands

words made of fears

that nothing ever will ever be

enough

we know it’s tough

we know

below

and to the left

of the main figure

the artist has hidden a self-portrait

reflected upside down in the bowl of that one spoon

laid beside the sugar

painted so well you expect to see yourself

(2022)

[Working through some personal goals in a journal, I wrote the first four lines unconsciously. Once I noticed, the rest became inevitable.]

seo

a fluffy Pomeranian dog in glasses and a sweater works hard at his computer like a good doggo!!

the algorithm told me to post poems on a Thursday

the algorithm thinks that poems rhyme

the algorithm doesn’t think

it’s only code

two digits

what happens if I don’t fi