So I’m back?

As in, back to posting on this blog. Look, we can’t take anything that happened this year seriously. It was a shambles from Day One, and we’ve all been playing catch up ever since, right? Right?

Blogging is a strange activity and I cannot be convinced otherwise. somewhere between confessional and peer-reviewed research, a shout into the void except sometimes the void talks back. As far as the data suggests, WordPress is moribund as a platform. I have the exact same number of subscribers that I’ve had for the past three years, and granted I haven’t posted much but that’s largely because I wonder what the point is.

Do I struggle onward? Start a Substack and mirror the content? Quit the entire internet forever and become a spinach farmer? (Not goats: I grew up on a goat farm and I’ve never known anything so cute to be so dangerous to be around.) What’s a languishing content creator (though I shudder at that moniker) to do?

No seriously I’m asking: do I need to start a Substack? (DMs are open, all advice welcome as long as you aren’t trying to sell me on AI slop or imaginary book clubs.)

While you wrestle with that conundrum, please enjoy for no reason at all the first chapter of my next release, a superhero (well really it’s supervillain) story about a stabby lil guy with outsized ambitions and the evil billionaire who loves him against his own best judgement. Look, if you ride with me you ride with the devil, but in the fun way. We’re all mad here, darling.

THE WORST BOSS IN THE WORLD

CHAPTER 1 – THE AGENCY

The Russian writer Tolstoy once said that unhappy families are each unhappy in their own way. Leo hoped that was true, as he wouldn’t have wished his family on his worst enemy. Well, maybe.

As villainous families went, it could have been worse. He still had all the fingers, toes, and other body parts he’d been born with, and the parts that he’d been born without meant that his parents had never harbored any unrealistic expectations. Or any expectations really, but he had given up craving those degenerates’ approval as soon as he was old enough to realize he was made for so much more.

Too bad the law-abiding were so prejudiced behind their smiles and awkward handshakes, and those hiring managers leaving him on read or ‘losing his file’ so they didn’t have to admit that they were passing on him because of a birth defect. An illegal act, to discriminate against disabled people in hiring, which just showed how little the law meant if so many people could break it without being labeled criminals.

“So you had to go back to the Agency, so what?” his cousin Monroe said through the speakerphone as Leo was getting dressed that morning. “It’s not like anyone expects you to succeed.”

“Wow, thanks. Have you considered a career in motivational speaking?”

“What do you mean?”

“That’s not exactly encouraging,” Leo replied, pushing up his shirt sleeve to attach today’s prosthesis to his left forearm.

“Sure it is,” Monroe drawled from the corner of his mouth, no doubt in the middle of lighting a fresh cigarette. “If you fuck up, no one is going to be upset.”

“But if I do well, is anyone even going to notice?”

Monroe exhaled in a way that wasn’t a sigh but also was. “I thought you didn’t care what your folks think of you.”

“I don’t mean my parents, I mean everyone. I’m tired of living like this. Paying rent, eating instant ramen.”

“Welcome to real life, kiddo. Fucking sucks out here.”

“You should sell that to Hallmark, they can put it on a mug. Look, I gotta go.”

“Let me know what happens. And for God’s sake, keep it in your pants this time.”

“Hey, that was one time.”

“And I’m sure a good time was had by all. Later.”

Monroe hung up, and Leo pocketed his phone. Then groaned and set it back on his dresser. Where he was going, outside devices were prohibited. His new employer should provide one, and he hoped it wouldn’t be coming out of his paycheck. It wasn’t his fault his bosses—no, the people he was assigned to were the clients, the Agency was his employer—were in a business that required such tight security.

He paused at the door for a final inspection: belt, zipper, shoe, shoe, wallet, house keys, Agency keycard. He checked again, feeling lopsided without his phone in his inside left pocket. That was going to bug him all day, that sense of hollowness over his chest, so he fetched the little book he liked to carry in its place, an old leather-bound volume of Shakespeare’s sonnets that matched a phone’s weight comfortably. He didn’t have the luxury of being off his game today.

His mother had always told him he’d been born under a bad sign. This was his rebirth, and he couldn’t let anything get in his way. The culmination of months of effort, keeping his ears open to Agency gossip and seeding some of his own, taking only the shortest contracts and even turning down work so he’d be available for this exact client, a dilettante new to the villainy industry who’d stumbled into more money than he had the brains to use. Someone who needed Leo’s experience,  who wouldn’t ask too many questions.

Even his alias ‘Desmond Desolate’ was cringe, like he’d lifted it from a bad spy movie. According to Agency gossip he’d run through the whole roster of temps without settling on anyone. Leo had no intention of being temporary. If he played it right, Desolate would be his for life.

Gritting his teeth past the paranoia that he was forgetting everything, he grasped his travel mug with his left hand. The hyper-realistic model, right down to the knuckle creases and fingernails, to keep the client from asking about what was none of his business. Leo needed him to be comfortable. Malleable. Oblivious.

As he clicked the polarized lenses over his glasses, his left wrist buzzed with the staccato pattern that announced a text message from an Agency number. Suppressing the very normal urge to smash the shit out of his phone with his coffee cup, he flicked the screen to life.

URGENT: delay contact with client and proceed to HQ for additional briefing. Leo replied with a stabbing finger and the fewest letters possible: ok.

Fuck Humber, that bureaucrat, wasting not just Leo’s time today but all that work he’d put into figuring out the optimal route to the client’s requested meet-point, just to be told to come into the office to be talked down to by his department heads. People so devoid of talent that the best they could do was exist as leeches, monopolizing hiring throughout the villainy industry and skimming the employees’ wages, in other words his wages. Once Leo took control, things were going to change.

One benefit of a stagnant economy, at least for their industry, was the availability of vacant office buildings downtown. From the street, Agency HQ looked abandoned, with peeling vinyl wrap on the windows and plywood nailed over the doors. Once you passed through the underground maze that protected the hidden entrance, the interior was like any other office, right down to the scent of deodorized despair wafting through the fluorescent-lit corridors.

As the Bearer of the Cloak of Infinite Darkness, it was unusual for the head of staffing Lady Ultima to want to see anyone. She and the client relations manager Ingolby Humber were waiting for Leo in Ultima’s corner office on the 14th floor.

“It’s okay, they’re expecting me,” Leo said with a smile as he breezed past her dozing secretary in the beige waiting room. Before he reached the door it opened and Doctor Inevitable emerged, dressed in several thousand dollars’ worth of hand-tailoring. Leo’s nemesis, and the reason he was still temping at twenty-nine. He’d sunk everything into that prototype, only to discover Inevitable had stolen key aspects of his design. He’d gone into debt trying to prove it, but Inevitable and his legal team were too well connected.

“Don’t worry yourselves,” the thieving son of a bitch was saying over his shoulder. “He shan’t hear it from me.” His smile froze as he spotted Leo. “Ah, Blofeld. Your timing is once again impeccable.”

“Inevitable, you old dog. Learned any new tricks lately?”

“How droll,” Inevitable said dryly, red lights blinking around the rim of his ocular implant, like Leo was a threat he was scanning. “By the way, good luck on your new assignment.”

“Were you talking about me? About my confidential file?”

“My, you’re suspicious.”

“I wonder why.”

“Don’t worry, young Blofeld, your secrets are safe with me.”

Young Blofeld: like he was a child, and a sour heat ignited in Leo’s guts at the thought of this man knowing any more of his secrets. There was a sudden metallic pop and they both looked down at the stainless steel coffee cup in his left hand, which he was gripping so hard the sides had caved in.

“As I said, best of luck,” Inevitable murmured, glancing at the cup. He gave Leo a last false smile then sidled past him.

 “Leo!” Humber cried, springing to his feet and hurrying to meet him as he entered the office. “Glad you could make it. Please, sit down.” Humber was squarish, pinkish, and prone to terrible taste in neckties and blinking too much under stress. Ultima had her Cloak on and was little more than a column of infinitely dark smoke wavering over one of the high-backed executive chairs on the far side of the desk.

“How can I help you?” Leo asked as Humber slid into the chair beside her.

“Yes, help,” Humber said almost to himself. Then he cleared his throat, clasping his puffy hands atop the thick stack of pages on the desk before him. “The thing is, Leo, we’ve been working with this client for a long time—”

“And spent a lot of his money,” Ultima said, her dry voice coming from somewhere near the center of the cloud.

“Yes, on selecting a suitable candidate,” Humber went on, his eyelids twitching. “So it’s particularly important to us, to all of us at the Agency really, that you treat this assignment seriously.”

“You say that as though you don’t expect me to,” Leo said in a hurt voice. Ever since the Agency hired him, the two had climbed all over each other to accommodate him. A convenient position to be in, and one of the cornerstones of his strategy. Nothing kept them on their toes like making them think they were failing him. Humber and Ultima exchanged a look (as much as a cloud could look, but it did.)

“That’s not it at all,” Humber said soothingly. “It’s simply that there are a few amendments to our standard contract, and we wanted to be sure that you understand what’s expected of you.”

“Haven’t I always done my best? I know I’m not perfect, but you have to understand—”

“Of course we understand. No one is questioning your abilities, Leo. In fact we have nothing but faith in you.”

“Thank you. That means a lot coming from you, sir. And you, Your Ladyship. Believe me when I say I am fully committed to serving this client to his utmost satisfaction.” He needed this pointless meeting to end immediately, before he drove his dented coffee cup through Humber’s flustered face. He leaned across the desk and plucked the documents from under Humber’s limp hands.

“I’ll read it on the way.”

He stopped by the HR staff room to dump the dregs of his coffee and throw out his badly dented mug. Waiting for the elevator, he flipped through the first pages of the lengthy onboarding package, but it was nothing he hadn’t seen before. At least the meet-point had been changed to HQ and he didn’t have to waste more time crossing town. He shoved the pages back in their envelope as the elevator doors slid open, revealing the next test of his sanity in the form of Doctor Inevitable.

He’d changed from the three-piece suit into his black flight-suit, an overdesigned nightmare bulging with tubes and knobs and some very obvious padding around the chest and thighs. To avoid him was to hand him a minor victory in their ongoing détente, so Leo swallowed his bile and stepped aboard the elevator.

“I must say, I almost feel sorry for you,” Inevitable said, his ocular implant whirring as it focused on the envelope clutched against Leo’s chest.

“What does that mean?”

“Desolate’s said to be the worst boss in the world,” Inevitable drawled. “Pushy, demanding, intolerant. A complete narcissist.”

“Takes one to know one.”

Inevitable rolled his natural eye. “Count Corelli’s always looking for more crew for his aqua-world.”

“That coke-head? No thanks. Plus salt water is bad for my mechanics. If the joints seize up I won’t be able to do this.” He flashed Inevitable the middle finger of his left hand with a quick jolt of his servos.

The man’s fake smile stiffened. “Suit yourself,” he said through his teeth. “But don’t say you weren’t warned.”

“I’ll bear it in mind,” Leo said as the elevator halted and Inevitable got off. He waited until the doors were closing to throw his last barb: “By the way, nice Dune cosplay.”

The elevator let him out at the end of the narrow, zigzagging passage that lead to an obscure corner of the bottom floor of a derelict underground parking garage in downtown Metropole. He stopped at the final door to pat himself down again, making sure he still had his shoes, his house keys, his keycard, his book. Lastly he checked the fit of his hand, but his prosthesis was as firmly attached as when he put it on this morning. He’d have to check the joints tonight after crushing his cup. Hopefully Inevitable took a lesson from it. With any luck, the next time they met Leo would be doing that to the fucker’s throat. Biting down on the urge to check himself one more time, he swiped the keycard over the reader then waited for the hiss of the lock.

 A low-slung electric vehicle with no brand badge and very tinted windows waited in a nearby parking bay. As he approached the car, the driver rolled down his window. Leo caught a glimpse of dark cheeks and looming black brows beneath the gray chauffeur’s cap as he swiped his keycard over the man’s phone, which binged with the approval. The rear door sprung open automatically and Leo got in. This was much better than having to make small talk with Desolate’s driver, who was little more than blurry blob visible through the smoked glass partition between the front and back seats.

Numbed by the whispering purr of the tires, he was half-asleep by the time the vehicle glided to a halt some two hours later. As Leo reached for the handle, the door swung open by itself. Getting out, he found himself alone in a vast, dimly lit space. Metal gantries crisscrossed the modular walls, which were punctuated at regular intervals by huge retractable doors, each large enough to drive a tank through.

As he stared about, the car’s door slammed shut on its own. At the same time, a smaller hatch opened between two of the big doors. The passage beyond was illuminated by a strip of red lights set into the floor at the base of the walls. The light strips began to pulse like the lights on a runway, leading him forward. All of which had been in the manual, but he still flinched as the sliding door snapped shut behind him. No choice but to go on, but instead of leading him into a metal labyrinth, the doors at the other end opened onto a broad corporate foyer with beige tile flooring, and a glass cupola overhead which flooded the space with natural light. A sweeping reception desk of pale wood stood against the far wall, covered in a haze of dust. Unopened boxes of computer equipment were piled beside it, equally dusty. Low on the wall nearby, an exposed electrical junction box hung loose, colored cables sprouting from its cavity.

Leo felt a familiar tingling and looked down. His right hand was unconsciously picking at the skin of his left arm where it met his prosthesis. A humiliating habit, which sometimes persisted until he drew blood. He would have trimmed his fingernails this morning but they were already down to the quick. As he tugged his sleeves back down over the join, the hatchway from the garage opened to admit the man who had driven him here.

He’d swapped the chauffeur’s uniform for a battered leather trench coat that hung open over ripped black jeans and a black t-shirt whose print was so faded it could have been advertising anything from heavy metal to M&Ms. His deep brown eyes crackled with topaz fire as he looked Leo up and down.

“You were my driver, weren’t you?”

“So what if I was?” the man replied in the clipped professional tones of an Indian national who’d learned his English at a foreign boarding school.

 “Wait, you’re Desmond Desolate. Why did you come yourself? Don’t you have any, I don’t know, minions?”

“Does it look like I have minions?” Desolate gestured around them at the echoing emptiness.

“I’m sorry.”

Desolate frowned. “Please tell me you’re not one of those people who feels the need to apologize for everything.”

“No, sir.” Whatever it took to make this man trust him. So far, everything lined up with what he’d heard: that Desolate had a top-tier facility and money to burn and no idea how to use either.

At last Desolate smiled, his gaze softening, his coppery skin glowing in the sunlight falling through the cupola. “So. Leo Blofeld. Any relation?”

Leo hated this question. “My grandfather.”

“Goldfinger himself. They don’t make them like that anymore.”

“No, they sure don’t.”

“Your parents are still in the game, yes?”

Leo nodded, wishing that he didn’t have to go through this every time. Everyone knew the Blofelds. Knew them as dependable, successful villains (his grandfather’s death at the hands of a certain British spy notwithstanding.) Not as the vindictive, insecure authoritarians they were behind closed doors, ready to turn on each other at the slightest provocation. Leo’s very existence was a provocation, having been born small, sensitive, and visibly disabled. A fault of being a surprise late pregnancy, but it was nothing he could change.

“That must have been interesting, growing up in that household,” Desolate said, glancing at Leo’s prosthesis.

“Interesting’s a word for it. But I’m not like my parents. Or any of them really.”

“I can tell. I’ve never known a Blofeld to say sorry before. But let’s keep the sniveling to a minimum, yes?”

“Yes, sir.” Though he hated to admit it, Inevitable was right: Desolate was the worst sort of boss. Corelli’s aqua-world was looking better and better.

THE WORST BOSS IN THE WORLD is available Jan 2026 as part of the Neurodivergence in Queer Romance event (organized by Mat Mansfield.) Follow for more information.

The Rainbow Inevitable

I am catastrophically behind schedule on one of the most important books I’ve ever written so naturally instead of working on it today I wrote a semi-comedic essay about nothing specific that is somehow extremely relevant to modern life. [CW: events of World War II]


Nothing is true. All is permitted.

Hassan Sabbah ‘The Master of the Assassins’

You know if people are things around the house? Like someone’s a couch, someones’ a tv, someone’s a ninja blender.  I don’t mean what they do, like being the blender doesn’t mean you like to cook, it means you’re versatile but kind of noisy and high maintenance.  If you’re a tv you always know what’s going on, have all the tea and are prepared to spill it.  If you’re a couch you just chill and sometimes people find small change in you…

Me, I’m a mirror.  I do what you do.  This is different from being a people pleaser where you do what people tell you.  I think it has a lot to do with having moved a lot when I was growing, which meant I’ve been the new kid in class twelve times.

Think about that: I had to make new friends at school twelve fucking times.  And I had to, I couldn’t just retreat into books.  I’m not an introvert. I feed on the spiritual energy of the living, I mean of other people. Yeah, that’s what I meant.  And having to suss out new sources of not-shitness every fucking year was a lot of work.

So I mirror. I act like the people around me as much as possible until some of them accept me as one of their own.  Which meant my friend group at school usually looked like the cast of Napoleon Dynamite. 

Not now.  I have hot friends. Old, but hot.  Major dad bods. 

It’s funny, I get so much motivation from seeing the bodies of fit young trans men, and for a while I thought they were so fit because they were men but no it’s because they’re young. I’m old, at least on the internet.  Not write Facebook comments in all caps and sign off with best wishes, Will  old, but I grew up without computers having more than an occasional role in my education. And I went to some expensive fucking schools among that dozen I attended.  In fact, and if you know you know and perhaps this goes a long way to explaining my personality, I went to Montessori. 

Not just for preschool but for another four years after that.  Like a lot of alternative education Montessori gets a lot of stick for being a bubble of privilege that renders children unfit for the harsh realities of modern life.   And there is that, but also there’s also the bit where modern life fucking sucks, and you shouldn’t try and fit to it.  You should want to dismantle parts of it to render it safer and kinder. 

You see, none of our choices are inevitable.  Nothing we are doing now in this world of ours is inevitable.  The legislative branch of government, the middle managers of government—congress, senate, the people who craft these violent bureaucracies—would have us believe that whatever their program is, it’s inevitable. 

To quote my late friend Mike, the cabbie from Yonkers, get the fuck outta here

Despite what they say, we can in fact do anything we want.  We’re choosing to tear the earth apart and then fuck the pieces.  Our actions are choices, not fate. The entire planet cannot be held hostage by revelationists and the billionaires who mouth their rhetoric because it keeps us stupid and starved. Like what the fuck is this shit?

So I’m really enjoying the current trend towards unionization. For three decades I’ve sat and watched liars destroy the reputation of trade unions.  More exhausting bullshit, more rhetoric in service to mammon.  But the people united will never be divided, at least not in a permanent sense.

This is why I don’t believe in dystopias.  Other than the one we’re living in, but dystopia assumes a totality of control that no leaders have ever successfully maintained.  People will want to say Russia but a) they keep losing and b) even if we collate a thousand years of Asian history, it’s a fucking eye-blink to the fifty thousand years since humans invented culture.  

And that’s why dystopias never last.  Invention.  We are the most pernicious, curious, don’t-press-this-button button pressers to have ever crawled out of the primordial ooze. Terry Pratchett had a bit about the button that ends the world, that you could hide it in the deepest cave guarded by dragons with a sign over reading DO NOT TOUCH and before the paint was even dry someone would push the fucking button.  

We are pernicious.  It means we wear down all defenses, break boundaries by devious intent. Like Oskar Schindler.  No one should have resisted the Nazis, yet there were dozens of people like Schindler, not just the famous ones. Hundreds, thousands of people lying to the cops, lying to the SS, protecting their friends, in some cases protecting complete strangers. Dying to protect them. Dying to save them, even though the Nazi machine must have looked unstoppable.  Yet everywhere, wrenches in the works.  I’ve heard a possibly apocryphal tale that some of the scientists employed by the Nazis to beat the Americans to the invention of the bomb maybe weren’t trying as hard as they could have been, a high-water mark for quiet quitting. Escape after escape. The French Resistance movement. People who looked the most wicked form of totalitarianism in the face and then kicked it in the balls.

Nothing is inevitable.  Except I think our freedom is.  All of us together.  I don’t want to destroy anyone.  I want the tinfoil hat crew to put down their tiki torches and leave their mama’s basement and come out into the light with us. 

The rainbow? It’s made of light.  Don’t think of the beam that enters the prism as white.  It’s simply light, too bright for our mortal eyes, which is why we have rainbows.  If there were no colours, no difference, there would be nothing to see.  But we see rainbows.   

I don’t want to destroy the far right. I want them to notice the harm they’re doing to their own souls and then stop doing it.  I want everyone to feel safe and honoured.  If we resist you, refuse you, it’s because our safety matters more than your cringe reaction, your hurt feelings. What I truly want is for you to look at those feelings, find the hurt that’s keeping you from being fully alive, and let it go.  It’s not us that’s making you sad. It’s not the queer people around you living their lives that hurt you (at least I goddamn hope not.)  Something happened, and I know you’re scared to look at the damage, but being alive is a fucking gift.  You might not get another chance.  You’re can’t spend it turning your wounds inside out and rubbing the filth on everyone else.

Tough love here, but grow the fuck up.  Own your wounds.  Sorry, but you’re going to have to feel your stupid fucking emotions.  Start by letting go of the idea that people who feel deeply do it for fun.  We do it because we can’t help it. 

I sometimes hate how much I feel. It’s hard to talk to my loved ones about difficult shit because I feel not just my pain but theirs, and my goddamn people pleasing (there, I admit I do that too) means I’ll do anything to stop them feeling bad, including apologizing even when I don’t think I’ve done anything wrong. I cry a lot not because I’m weak but because it makes me feel better to have it out. 

If you still feel too manly to cry, consider that if you cry hard enough it feels like you’re puking. If you’ve ever really cried, over someone’s death, over your dog’s, anytime the tears are the least of it and you can’t even tell if you’re screaming?  That beats you up from the inside.  Dealing with that takes strength, dude.  Really feeing your vulnerable emotions is like skydiving—you just gotta go with it, bro. It’s scary but you’re going to feel better about yourself for gritting your teeth and taking the leap.

Feel the feels. Take the ride.  Grow as a fucking person, because the world owes you nothing.  You have to give to get.  Or god/dess help your soul.

Crunch Time

I owe the world a novel in 70 days.

I see no reason why this can’t be done.

Modern authorship is a make-your-own-rules kind of game. Self-published, mainstream, hybrid, neither (ask me about subscriptions to The All-Hearts Cabaret) and it’s up to you, the author, to decide how you want to play it.

Me, I’m doing my freaking best under the weight of my neurodivergent, gender-baffled self-awareness. I want to be/do/know/have/eat/encompass everything that exists, and this is a real problem when it comes time to make decisions.

And yet…

On Tuesday I visited one of the very nice nurse practitioners at my doctor’s clinic. No knock to the NP, y’all are keeping Western Medicine functioning, but this poor child doesn’t know me from a hole in the ground. So she went ahead and prescribed me medication that I (and many of you) expect will make me want to unalive myself.

Baby…I don’t do speed.

I just don’t. That class of drugs is Bad For Me. And when the popular literature tells me that no one knows *why* this particular drug works,? No. Just no. I’m not that messed up, TBH. I *like* my neurodivergence for the most part. It’s fun to have this many ideas. Maybe I could do better at keeping appointments and finding my keys, but the last time I tried this class of meds was a nightmare. I made a vast number of bad choices, while totally ignoring the work I needed to do, and ended up sobbing under my desk more days than not.

So…fuck you.

Fuck this.

Please, please don’t take my experiences as advice. You do you, as we say, and decide for yourself. Me? I’m going to just learn how to be this shambolic, well-intended, heartfelt and whole and every now and then problematic neurospicy genderqueer who gives no f’s for ordinary people’s comfort because I’m having too much fun.

There is no right way to do life.

I’m trouble, but it’s the good kind.

Throwing Darts

they sold the lot on Main St where they never built that high-rise 

but good luck building anything in this economy 

the air is too hot

the scent of cigarettes boiling off the other passengers

as I wonder what’s the point of poetry 

what can we make from words?

what words 

still let themselves be made into anything?

I told her I only read poetry 

that reading a whole book

takes years

the feelings stacked one atop the next

gravy over cake

no differences between sorrow and a theorized joy beyond the writer’s means

a poem is a mouthful 

a minute’s grace

a massacre in millimeters

the barest bruise

a slap in the face 

remorseless 

starving

true

if only all truths were so easily digested 

instead of sticking in your gut

dragging you along with them 

to end up inside out 

yet in writing poetry 

we feel that same laceration

spilling ourselves

spoiling the calm completion of a blank page

for nothing more than one vain moment’s proof

that we existed

(2023)

PAT YOUR OWN BACK or CHEAT ON YOUR GOALS AND WIN!

MILLION WORD MILESTONE

CURRENT WORK IN PROGRESS:  “THE OLD RAZZLE DAZZLE” final editing

# OF DAYS TO GO: 134

TOTAL WORDS WRITTEN:  934,411 (of 1,000,000 = 93% OF MY GOAL)

# OF WORDS TO WRITE: 65,589


A lot of benchmarks are not useful because they achieve a specific practical goal but because they make you feel better.  This is true in writing as much as anywhere else.  A few weeks ago I thought it would be fun to set a goal of writing a million words by the middle of 2023.  That’s not lifetime, not spotty rough drafts, but fully formed pieces of writing I’ve completed in the last three years. 

I had about 110k to go to reach this, and I was feeling confident.  That’s only two novels, and I have two novels in the planning stages which shouldn’t take more than a few months to bring together (to all the writers who never seem to do any writing: another world is possible.) 

Then I found out that WordPress logs your word-count.  And that I’d written 52k words for this blog over the last three years.

You better believe I counted that.

So now the total stands at a thrilling 934,411 words written (and most of them published) since the start of the pandemic. If I wanted to show off, I’d dip back into 2015 and pull the numbers on the two standalone novels and the five part contemporary series I completed while tending the reception desk at one of the country’s biggest real estate brokerages.  Thanks, Joey.  I couldn’t have gotten this far without you.

So I’m editing this book, see…

and the word count keeps goes down.

which is why I don’t track daily word count.  What matters is the books.  The end result. 

don’t muck around and seek the unattainable goal of perfection, but don’t deprive your writing of the time it needs to be excellent.

excellence and perfection aren’t the same. 

set a standard and keep meeting it. 

that’s all you gotta do.

A sign from the gods

Or: how do I choose what to write without needing to choose?

My “to-be-written” pile is pretty intense. Maybe down to a dozen by now but still that’s a lot of books.  Somewhat less than a million words, if we average 60,000-65,000 words per book.  Absolutely doable within a few years, because it only took three years for the first 850k.

Now I’m left with the start of three series but no ends.  While none of these series have made me rich, neither has anything else I’ve written, which I take as a lack of exposure, not quality.  My readers exist, they just don’t know it yet. And one of the most satisfying experiences for a reader is a completed series.

I started publishing under a disposable pen name.  Under that name, I released my first full length novel, a bonkers erotic romance about fin de siècle swingers who ball their way across Europe and back.  At the end, our plucky if rather sticky heroes are forced to separate, one couple to try their luck in New England, the other trio setting off for Imperial Japan, to reunite with yet another 1890’s hornbag.

I wrote the New England book last summer, mainly as I’d already written a big chunk of it at the time I wrote the first. It’s an equally bonkers novella involving archaeology and (God help me) turn of the century reproductive rights that ends with another hasty escape, this duo of sticky heroes absconding cross country to the amoral paradise of California. 

I’ve since rereleased the first book under my current pen name.  Despite my strange ambivalence after the fact (is it too raw? too filthy? too political?  a ridiculous piece of slanderous trash?) I’ll be putting out the second book in April.  And yet…I haven’t written the third book.  I was still not sure that I would.  But part of my faith is accepting synchronicities at face value.  I don’t believe things happen for “reasons” but I’m not going to ignore it when it seems like they do.

The first standout was this post about late 19th century Westerners having “samurai” portraits painted on their trips to Japan.  You can still get this done, and I have a revolting photo of myself as a geisha from a visit to a television company’s theme park/historical recreation site/active film set (Japan’s a hell of a drug.)

Of course Matti would have this done, I thought.  Get talked into it by Shigeru.  Get teased about it later by Paul, who would offer to do better with his camera. The scene unfurled before me, so fully formed I haven’t written it down because it’s whole as is.

At some point prior to that I bought this book. I pick up a lot of books for pennies at yard sales and thrift shops, and couldn’t tell you when or where I got this.  Flipping through the other day, I found excerpts from a diary kept by a Japanese man in 1905, written in Roman script. Romaji, as it’s called, is a transliteration of Japanese syllables into Roman letters, i.e. what English is written in. This is what we read outside of Japan.  Okinawa, Osaka, Tokyo: these words are written in romaji so that non-Japanese people can read them.

In 1905, a poet kept a diary that almost no one could read.  A Japanese person would not know the characters, and Westerners did not speak enough Japanese. It is as a consequence deeply personal, even more than most diaries, which are only secret if kept secret.  This was a confession, all the writer’s fears for the future, his abiding existentialism encoded in a book only he could read.

Chills, baby, and they were multiplying.  Much of Oh Vienna! is built around diary entries.  Matt keeps a journal of his scientific “inquiries” into human desire which devolves into a open-hearted testimony to his first love. It is to reunite with that love that Matt and his companions travel halfway round the world.  The next book clearly needs a diary to structure it, and perhaps that’s what I always found missing from Book 2. On I went, shelving this in the Very Interesting section of my mental library.

And then…and then KJ happened. Again.  Charles’ books repeatedly tear me apart, and have in a way ruined me for most other books.  So when she posted the covers of the Japanese edition of The Magpie Lord…

I cried. I’m crying right now.  I don’t know why, other than the books are so beautiful and the story so touching yet vivid and lively (and filthy, did I mention filthy?) and her characters are perfect and I want to be so good a writer that I deserve a set of books this fucking beautiful.   Hitch your wagon to a star, right?

Not that my next book will deserve such a tribute (that enough people in Japan want to read it that they translated it, designed new covers, and are printing paperbacks.)  But the river flows downhill, and all rivers become the sea, and I don’t know what I’m trying to say with this except I’m writing that next book.  The last of the Libertines. Okinawa, Mon Amour.  Spring 2024.

A new fighter has entered the arena

First, the good news: the hardest book I’ve ever written is done.  Not done because editing etc but I have finished the so-called Zero Draft.  Writers might know what I mean by a Zero Draft: that ugly, clunky, maybe horrible bunch of words that you have pasted together with spit and prayers in the hope that it tells a story similar to the one you imagined.  I found calling it anything else inhibited my ability to get the dang words on paper.

Now can put “An Inconvenient Earl” aside for a little and focus on, oh, I dunno, anything else on earth.  Like the new challenge I’ve set myself. This one is way more achievable.  Fifty thousand words less than what I tried to write in the second half of last year.  That attempt was side-lined  by post-Covid brain fog, which believe me is real and just as bad as everyone says.  

My humble goal for the first half of 2022 is to reach a total of one million words by the middle of this year.  I don’t mean all at once. I mean since I started seriously grinding at the self-published author game, in February of 2020.  I’m only about 120,000 words away. 

Two novels by June?  No problem.

Oh hey, while I’ve got you here…I’m building a list of pre-release readers for this and other books. Comment or message me if you’re interested in free books for life (and maybe even your name in the credits!)

I’M BACK, BABY

That’s it. That’s the post.  I have finally shed the post-Covid brain fog.  And to anyone suffering from “long Covid”: I have tasted a tiny bit of your pain and I offer every bit of sympathy and funding you require to navigate this blameless nightmare.

Ok, here’s the rest of the post, because AS IF that’s all I’ve got to say.

I have hated writing this book.  Every word, every freaking *keystroke* was a gargantuan effort requiring all my will. Up until the last week.  Now it’s a dream come true, the chapters falling together like someone else wrote them for me and I just have to fit them together.  A perfect side character stepped fully formed out of my brain and performed a key role in the story while earning himself a lead role in a future book.

People…this is going to work.

“This” being my delusional but totally achievable dream of making a living from writing what I want. I’m releasing six books this year, not counting the short stories and re-launches.  I’m writing at least four, one of which is going to be done by the end of the week.  I have never felt more engaged with my writing career.

2023 is my year.  Yeah, right, we’re not supposed to say that anymore.  This is supposed to be a year for heaving a sigh of relief.  As a card-carrying Discordian (look it up yourself, ‘kay? Providing succinct answers is as close as we get to a mortal sin) I’ve waited my entire life for this numerological opportunity.  Me and the goddess, we’re lighting this year up like you’ve never seen. 

the soundtrack to my revival: Bop x Subwave’s set from the release party for their album “Renaissance.’ I have listened to this slapper of a set twice a day, every day since it dropped last month.  Tell me you’re a 90’s kid…

“Answer me these questions three…”

“…because I’m too lazy to search the archived threads”

There are three questions every baby writer seems to ask when they join the online author-verse and start fishing for trade secrets.  I used to answer these questions when I came across them on forums and chats, but they get asked with such regularity that I got tired of doing other people’s homework.  The internet is right there, people.

So please enjoy my arrogantly definitive answers to the three questions I see asked again and again and again:  

1) How do I keep my vague, fledgling story idea protected from being stolen?

2) How do I know if my writing is shit?

3) How do I learn how to write?

  1. How do I protect my ideas?

You don’t, because no one cares about your ideas.*  Honestly, ideas are cheap.  Cheap, cheap, cheap. Any writer with a serious habit will have so many ideas attacking them on the daily that they would have to live forever to write them all. Writers don’t lack ideas, and we don’t care about yours. Your ideas are likely not even as good as you think. They matter to you, and they may lead you to tell the best story you have ever told, but whether it’s some junk scribbled on a napkin, an outline you share on a critique group, or a book you give away as a reader freebie, no one will bother to steal your ideas, because they would still have to go through the effort of taking your ideas and writing a book with them, then making money out of it, which is the real challenge.

2. How do I know if my writing is shit?

Assume that it is. If this is your first attempt, your writing is 99.9% likely to be not the best you’ll ever do. Accept this fact from the outset. Accept that your writing will not match your expectations at first. The only way to get better is to keep writing. So if you have a precious, perfect, magical idea, maybe don’t start with it. Write some junk first. Get good at writing, then start on your Great Work.

Imagine you wanted to become a professional baker.  You don’t go from standing in the grocery aisle looking at the cake mixes thinking I can do better to turning out a six-tier wedding cake overnight.  Particularly if you’ve never made a cake before, you’re gonna have to make a lot of cake in between having the idea to make a wedding cake, and actually serving it. Make those shitty, crumbly, collapsing cakes you need to make on your path to nailing the perfect Genoise. There are no shortcuts. This quote from Ira Glass is another way of saying the same thing.

3. How do I learn how to write?

By writing, and by reading. Read books that are like the ones you want to write. Read well-written books of all genres. Read different books than you normally do. Read books about writing.  

But always be writing.  It’s a muscle, and you have to use it or it shrivels. Books take effort to write, and it’s healthy to assume that your first work might kind of suck.  At least compared to what you will capable of in five years. Read and write and read and write and read and write and read. Repeat until you die.

Writers, what other hugely general advice do you find yourself constantly giving?

*you always own your ideas, even if you haven’t lodged them with a copyright registry.  Please consult legal professionals for more nuance, but having your ideas stolen should be one of the last things a fledgling author needs to worry about.