Course Correction

To give oneself in service

Seems a holy act to me

Words are mere escaping breath

It’s deeds that must define you

And in my unreflected state

I mistook deeds for love

You can’t fake your way through

This tidal wave of mishandled years

As it crashes on the shore of memory

Obliterating all those fragile structures

Built by the ego from the detritus of time

Those scaffolded shadows dragged from

Cold and bitter caves where we once dwelled

Look! Look! The water rises faster

Is this an ending or beginning?

Child, there never were such things

The sum of our endeavours

This human wrack and thunder

A single dancing mote upon the beam

(23/12/2023)


Poetry is concealed truth. Poems are true, but they are best when that truth sidles into your understanding without you needing to directly perceive it. When they leave feelings and questions that linger in your mind and in whatever it is we call a soul. Writing poetry has helped me say things about myself that I don’t know how to say, which is why I rarely give context for my poetry. A good poem tells its own story, but sometimes we must defy convention.


After laughing way too hard at too many autism memes, I did a self-assessment.

Well shit….

This hit so much harder than finding out I have ADHD (and before you call me out for self-diagnosis, know that this is a questionnaire that clinicians use.) I haven’t felt grief like this in decades, as if someone died. That someone is the old me.

I am shaking as I write this. My understanding of myself has been radically altered. That’s why all my books are full of desperate, rootless young men dying to be seen, be accepted, be useful. Human behavior has always been opaque to me. I spend inordinate amounts of time thinking about what people think of me. If I can be of service to them, they’ll want to keep me around.

As a consequence I am superb at masking. At shielding myself behind a radical aesthetic that is itself a hyper-fixation, giving the world a curated version of myself. My aesthetic is a form of service, for one of my aims is to be the most interesting thing someone sees that day. But I’m not fully out to everyone close to me, so I am always consciously performing. Why not come out? Because honesty is terrifying.

I need to know that I can be wholly myself with the people I trust. To know this, I have to trust that when I show up as myself they will accept me as I am. To find safety I have to plunge into the abyss. Again.

But I’m tired. Tired of not saying these things, tired of faking it. Sometimes no matter how hard you fake it, you never will make it. But maybe you’re trying to make the wrong thing. Maybe you can just be yourself.

I’ve been with my spouse for almost three decades and I’m still convinced he’s going to decide one day that I’m too damn much for him and leave me. Like, calm down. But expressing this to him seems physically impossible. When I’m emotional, I can’t speak. I can write (I say as I’m crying into my keyboard) which sort of makes sense because speech and writing are controlled by different parts of the brain. Autism impacts the speech centre.  If I want to say difficult things to my husband, I have to write them down and read them off a script.

So be it. If that’s what it takes. There’s no shame in it. We make life more difficult than it needs to be. If you think life is unkind, start being kinder to yourself. If you keep falling short of your target, move the target closer. If you don’t know what to do, try writing a poem.

Try. You are stardust. You have galaxies of time embedded in your every cell, meteorites in your veins. Become what you are. You are infinite.

Mere Anarchy

before we knew what time was

we had five year plans

ten year

millennia

we thought each day would be just like the last

that the seasons’ passage did not erode but fortify

our allotment of breaths

this sense we have of timelessness

of needlessness:

a lie

time devours your enemies

more surely than you ever could

hold fast

for the centre has been loosed

mere anarchy enough to mute

their serpentine refusal

their temptation not to know but to deny

hold fast

two words

infinite meanings implicated

in the order of their syllables

hold fast

at this sticking point

this point of flesh

this knowingness

this ganglion incretion

towards your ulterior motives

this lawless urge to plunder

oneself

(July 2023)

23 – Sweat

The pills roll across my desk

gold tears of a translucent god

rare oil of rarer flowers

suspended in a mote of gold

rare flowers made into an

antidote for time’s relentless deluge

The note reads ‘I can do this’

‘this’ remaining undefined

to be used as needed

this is the past

here on my skin

my lost ambition

running down my sternum

these breathless

prayers to no god/dess

here, touch

for I weep everywhere

my tears

your ocean

the tide’s desire

to take us back

into its saline arms

force our confession

that all we know and are is but a

pause

between breaths

(July 2023)

[from the ongoing (and mainly unpublished) series Body of Work]

What to Wear: Pride 2023 edition

I want to dress in sackcloth

drag noir

all black

a shroud

to mourn the death of

liberty and justice

the murder of fair decency

the silent suffocation some would subject us to

or shall we remain resplendent

arising prism hued

aligned with our true purpose

yet wearing one black armband

for those whose footsteps

are now only echoes

(June 12, 2023)

I’m so tired of fighting for the right to exist in my own body. But I’ll be damned if I’m going to let that stop me.

This body is a battleground.

No surrender.

Never Enough

I wanted it not to matter

for it to make no difference

for this to not be measured in these pounds of flesh

weighed and found wanting

we wanted to be free

not to measure

not to count

you mourn yourself

your particular futures

the claims you have made on them

usurped by raw fact

these things too must (sometimes) pass

“No fear exists except beginning”

It is enough

It is never enough

After, we swam in the river

trusting in the darkness

calling one another’s name

you forgot to answer and I

swam to you

blind in the blood warm water

the sacred dark

and when your hand touched mine

beneath the surface I forgot my

own name too

(2023)

The Point

two bare-chested men sit in a landscape of dark rocks

tell me how it happened

we didn’t know, he said

we knew so much but this

we couldn’t know

we had such power

that to think of stopping was impossible

to speak it, death

this is what we left ourselves

this brotherhood

these stale defences

self-made

empty-handed

possessed of no inner life

partaking of no mystery

no raw internal knowings

the shapes of us proscribed

the tablets broken

the prophets’ voices stilled

our cells know nothing

born and borne in churning, soupy chaos

wisdom embodied new in every newborn mind

our cells know what we teach them

a limb, deleted

a kindness tasting more and more like fear

what’s the point of man?

what meaning in becoming so?

in mimicking the still point in this maelstrom

an embodied singularity

a fecund drop

erupting then forever calmed

what is a man?

what point

in ever

being

so?

A Few Words about Essentialism

**CAVEAT: IF YOU DISAGREE WITH THE FOLLOWING, FOR THE LOVE OF ALL THAT’S HOLY, PLEASE DO NOT ENGAGE WITH ME ON THE TOPIC. Maybe you think I’m being far-fetched, that I’m making false equivalences. Too bad.  Suck it up, and move on, because I do not debate subjects that involve my friends being negated from existence if your side “wins.” Trans rights are human rights, full stop. Thank you.**

Everything Solnit writes makes me think. Even when I agree with her completely, her words add new levels of understanding. Her recent repost of her 2020 Guardian article lead me to rattle off the following:

Accents of pronunciation suggest that what many of us take as physically innate is often very malleable. No one is born with an accent. We are merely born with the capacity to make sounds, and we train our bodies (mouths, lungs, vocal cords) to produce the sounds that endear us to our environment. Children mimic their adults’ speech patterns, whatever those happen to be.  Adults pick up local accents without any intention to do so.  It’s what we do, and we’re built to do it with whatever speech patterns exist in our environment.

And we change our accents. Maybe not to the point of indistinguishability, but we alter our speech all the time. If you think you would never change the way you speak, and certainly never to “impress someone,” tell me right now you use the same language at the bar with your best friends that you use with your grandmother. Very few of us can say yes. Just like you don’t scream “FUCK” in church (if this is the sort of thing you do happen to scream in your church, lemme know, I have questions) you maybe don’t drop as many ‘aitches’ or slur your vowels when you’re sitting in front of a university admissions panel.

Our voices are part of our bodies. They don’t come from our brains alone, but from an interaction between our brains and bodies.  Our vocal chords, which we can reshape at will. Reshape your body at will.

What’s my point?

That we change our bodies.

All the time.

On purpose.

Things about ourselves which seem physically unchanging, aren’t, and we change them on purpose.

Our performance of gender can be one of those things. 

And clinging to the illusion of gender essentialism is a waste of everyone’s time.