
Bury me in this


My local shopping district, a cute and happily robust cluster of antique shops, fabric stores, and casual dining trends, hosted an event for World Dracula Day, celebrating the anniversary of the first release of Bram Stoker’s novel.
I thought, what better way to take advantage of the fact that I dress like (let’s be honest) Doctor Who on an extended 1889 story arc. Off I went to diligently assemble an appropriately sepulchral ensemble. Aside from lacking long hair and having the wrong shade of top hat, I managed a very satisfactory homage to Gary Oldman in that grey suit (or Lucien Vaudrey if you nasty.)
In other words I looked great. I look good in suits in general, and this outfit was so satisfying that I decided not to wear it to the vampire party. That is to say, I looked just how I like to look on the day to day, and the thought of calling it a costume was…
It was fucking cringe, alright? It felt like I was making a joke about myself. I am very, very aware that I dress differently than almost everyone alive (that’s much of the point) and so maybe I overthink my aesthetic, but there’s so little joy that we’re permitted in this economy that I’ve leaned way in on this thing that persistently brings me joy. It seems to make other people happy too, for the number of compliments I get. Someone dressed in plus-fours and a waistcoat is not an ordinary sight. You’re welcome.
But it’s just my ordinary clothes. It’s not a costume. Or if it is, then every single one of us are wearing costumes every day.

This is the larger truth, that we are all doing drag, every single day. We *choose* how we want to look, even when we’re not aware of it. Every time we get dressed, we are choosing which part of ourselves to present, depending not just on our moods but on the context, and if you don’t think that’s true, go ahead put on sweats and crocs then try talking to the CEO of your company the way you talk to the people you play sports with on the weekend. If that’s the same person, congrats, you’ve won capitalism.
Regarding my excellent self in the mirror last Saturday, the serendipitous collection of grey apparel that when put one with the other seemed to have been made for the sole purpose of becoming this suit. I was too happy to want to stain it with the frivolity of pretending I wouldn’t dress exactly like this every day. I mean, the ultimate cop-out Hallowe’en costume is to just put on what you wear to work, right? Costumes should transport, make fantastic, startle and confound. This outfit was simply too good.
Bloody shame I’m such a snob, though. I hear there were prizes.
Chat show interviewer: so what do you sleep in?
Zach Pinsent: a bed.

As an old person (nearly the age of a Golden Girl, for reference) I often miss out on what young people are doing. Sometimes that’s ok (Tide pods) but sometimes the next generation are doing really interesting things. Sometimes, I want in.
I stumbled across Zach Pinsent a few years ago after watching a funny video by his friend Karolina. I watched a few more historical costume videos, mostly slating films and tv for doing a really bad job. A few weeks later, I wanted to learn about tying a cravat.
There he was: so spry, so gleeful about the once very ordinary and now vanishingly rare act of starching his collar. In a matter of seconds he explained a knot that I’d been unable to tie, and completely won my heart.
My aesthetic heart, I mean. Thirst traps aside (and he shares those with the world so nbd) he just seems like a person that would be delightful to know. If he came to the party, it would be an endorsement. I went to England on his advice and was thoroughly delighted with his every recommendation.
Including the unintended endorsement of historical dressing.
Which has ruined me (the clue is in the title) for ordinary clothes. I’ve struggled with modern fashion for years. Most of it makes very little sense to me, the women’s clothes in particular. Pants don’t fit, nothing lasts, pockets are fake, and half of it is made by de facto slave labour in Chinese sweatshops one foreman’s cigarette butt away from a Triangle Shirtwaist Factory disaster (if you have safety standards at your job, that’s why.) And the fucking polyester gauuuuggghhh. I’m generally compassionate, but whoever said “let’s make 100% polyester bedsheets” a.k.a. microfiber, needs to be taken out behind the woodshed and dealt with.
All of that goes away if you dress differently. I am a dedicated thrift-shopper and have made some miraculous finds (from cashmere coats to Gaultier, you name it, my fingers will pluck it from the rack.) Add in my background in sewing and I can safely say I may never need to buy new clothes again (we’re making an exception for underwear, at least for now.)
And I look amazing. I’ve always been an eccentric dresser, at least compared to my friends, but this has taken it to a whole new level. My dopamine-starved brain loves the attention. The better I dress, the more compliments I get, from friends, family, complete strangers. I like standing out, and the idea that I might be the most interesting thing someone sees that day. I’m not however throwing as hard as Pinsent, who dresses exclusively in historical fashion, mainly from the early 19th century (see above)
My fits are not nearly so historically accurate, as I approach the game of historybounding with the attitude of a time traveler from the past who finds themselves in our world, granted all our opportunities but still retaining their taste for the aesthetic of earlier times. This means a lot of waistcoats but no sock suspenders (because socks now stay up on their own.) Neckties, silk scarves, cravats, yes, but no detachable collars or cuffs (because I’m too lazy to make any and washing machines exist.)
Curiously (or not if you study the pendulum of fashion history) classic style is starting to creep back into the public aesthetic. Casualness reached a peak in the pandemic, and some people are looking for more than hoodie-sweatpants-crocs. I mean, you do you, wear what makes you feel most like yourself. As for me, I would wither and die if that was my only choice of apparel.
I mean, I call it apparel, for fuck’s sake.
or
Though I keep my face off this blog for the most part, should you ever meet me in person, you will almost certainly remember what I was wearing. To sum it up in a hundred and forty characters or less, my aesthetic ideal is something in the realm of Jay Gatsby’s disreputable cousin, down for the regatta with a cask of bootleg Canadian rum in the backseat of my Studebaker. Like, when I die, I want to come back as the Arrow Collar Man, dig?

My ADHD is the high flicker style, where I benefit from nearly constant stimulation. My exterior conditions affect me so much that I do best when I surround myself with fun, interesting things to keep my neurons firing.
Clothing achieves this very well. Compact, portable, and perhaps the most psychologically rich expression of the human experience, clothes are the first of all first impressions, for when a stranger approaches, long before you can make out their face, you can see what they’re wearing.
Dressing to be noticed–being deliberately attention-getting–involves a constant negotiation with your fears. It makes routine the assertion of your right to exist as you wish. Being thought ridiculous becomes mere background, a given. We are all ridiculous. We are all in drag. Some of us just have more consciously formed personas.
And people freely give me compliments. They go out of their way, cross rooms to speak to me, to tell me they like how I look. This feeds my soul, not because I live for praise (although that’s in there too for this precocious only child of a chaotic family) but because it thrills me to think I’ve made someone happy, just by being myself. I take it as almost a sacred duty to be able to provide what might be the most interesting moment of someone’s day.
Like being kind to grocery store clerks, being nice to your server at the restaurant. Nice things are (duh) nice and we don’t get a lot of them in our day to day lives, not usually without being told to pay for it. Being nice costs nothing. Being interesting, which is really only being fully present in your life, however you choose to shape it, costs you nothing.
Be as alive as you can, as often as you can. Wear that shirt you think is too bright. Buy the hat. Put on something shiny or sparkly or beautiful today, something to make you happy.
Life is what you make it. I like making it more interesting.