Course Correction

To give oneself in service

Seems a holy act to me

Words are mere escaping breath

It’s deeds that must define you

And in my unreflected state

I mistook deeds for love

You can’t fake your way through

This tidal wave of mishandled years

As it crashes on the shore of memory

Obliterating all those fragile structures

Built by the ego from the detritus of time

Those scaffolded shadows dragged from

Cold and bitter caves where we once dwelled

Look! Look! The water rises faster

Is this an ending or beginning?

Child, there never were such things

The sum of our endeavours

This human wrack and thunder

A single dancing mote upon the beam

(23/12/2023)


Poetry is concealed truth. Poems are true, but they are best when that truth sidles into your understanding without you needing to directly perceive it. When they leave feelings and questions that linger in your mind and in whatever it is we call a soul. Writing poetry has helped me say things about myself that I don’t know how to say, which is why I rarely give context for my poetry. A good poem tells its own story, but sometimes we must defy convention.


After laughing way too hard at too many autism memes, I did a self-assessment.

Well shit….

This hit so much harder than finding out I have ADHD (and before you call me out for self-diagnosis, know that this is a questionnaire that clinicians use.) I haven’t felt grief like this in decades, as if someone died. That someone is the old me.

I am shaking as I write this. My understanding of myself has been radically altered. That’s why all my books are full of desperate, rootless young men dying to be seen, be accepted, be useful. Human behavior has always been opaque to me. I spend inordinate amounts of time thinking about what people think of me. If I can be of service to them, they’ll want to keep me around.

As a consequence I am superb at masking. At shielding myself behind a radical aesthetic that is itself a hyper-fixation, giving the world a curated version of myself. My aesthetic is a form of service, for one of my aims is to be the most interesting thing someone sees that day. But I’m not fully out to everyone close to me, so I am always consciously performing. Why not come out? Because honesty is terrifying.

I need to know that I can be wholly myself with the people I trust. To know this, I have to trust that when I show up as myself they will accept me as I am. To find safety I have to plunge into the abyss. Again.

But I’m tired. Tired of not saying these things, tired of faking it. Sometimes no matter how hard you fake it, you never will make it. But maybe you’re trying to make the wrong thing. Maybe you can just be yourself.

I’ve been with my spouse for almost three decades and I’m still convinced he’s going to decide one day that I’m too damn much for him and leave me. Like, calm down. But expressing this to him seems physically impossible. When I’m emotional, I can’t speak. I can write (I say as I’m crying into my keyboard) which sort of makes sense because speech and writing are controlled by different parts of the brain. Autism impacts the speech centre.  If I want to say difficult things to my husband, I have to write them down and read them off a script.

So be it. If that’s what it takes. There’s no shame in it. We make life more difficult than it needs to be. If you think life is unkind, start being kinder to yourself. If you keep falling short of your target, move the target closer. If you don’t know what to do, try writing a poem.

Try. You are stardust. You have galaxies of time embedded in your every cell, meteorites in your veins. Become what you are. You are infinite.

Red State

A stack of aged hardcover books sits on a plain wooden shelf beside a blank notebook and a pen.

Writers weep and howl and pour out anguish in the form of words

Wanting to be seen and wanting others to be heard

Seek the neglected beauty in strange thoughts and hopes and faces

Fantastic worlds where power lurks in unexpected places

Where the wicked is the one who doesn’t see the witch,

While the open hearted hero is the one who will be rich

I want it all, the universe, contained between these pages

Where happiness belongs to those who have wept in other ages

Alone, I am surrounded by the ghosts who I invoked

A symphony of voices that in other times were choked

I am not worth of this message, this divine immanence

This way of saying damn the guards as I reach across the fence

Please take my hand, we haven’t long, I see their fires on the hill

If we don’t save these books from burning

Who will?

(Will Forrest, 2023)

Last Call at the All Hearts Cabaret

I want to be yours

I want to belong

I want you to know by the time that I finish this song

that this is as close to forever

as anyone gets

I want all those years

that I’ve counted in tears

to be worth what it cost me in ruined ambition and fears

I want to let go of whatever

is holding me down

These are heavy chains to wear around my heart

these calculated measures that are taking me apart

these broken frames

these stolen names

this work of art

Landscapes of the body, artistry made flesh

where the sex is second guessing and the hell is always fresh

where hell is other people’s eyes consuming you in slices

But you smile and wave and carry on pursuing your own vices

These broken frames

these stolen names

this work of stealing everybody’s heart

I wanted you to know before we end this dazzling show

that this is as close to forever

as you can get

[exeunt, pursued by Time]

(2023)

Four poems about fire: #4

A young man is celebrating, his white shirt decorated with pinned-on money.

In May of this year I wrote four poems. I forgot to post this one, which is both typical and interesting. It stands in juxtaposition to ‘Dirty Money,’ one of my earlier poems, which was quite popular but now feels too naïve.

It matters what kind of energy (scientists, did you just laugh) you choose to circulate. Bad mojo shouldn’t be passed on. It should be burned at a crossroads at midnight then buried under a sycamore.

Poem #4

(Dirty Money: A Retraction)

What is money?

is it food

is it hope

is it will

is it desire

is it disgust

is it denial

is it worth it

is it someone else’s problem

is it death

is it real

is it you

(2023)

Mere Anarchy

before we knew what time was

we had five year plans

ten year

millennia

we thought each day would be just like the last

that the seasons’ passage did not erode but fortify

our allotment of breaths

this sense we have of timelessness

of needlessness:

a lie

time devours your enemies

more surely than you ever could

hold fast

for the centre has been loosed

mere anarchy enough to mute

their serpentine refusal

their temptation not to know but to deny

hold fast

two words

infinite meanings implicated

in the order of their syllables

hold fast

at this sticking point

this point of flesh

this knowingness

this ganglion incretion

towards your ulterior motives

this lawless urge to plunder

oneself

(July 2023)

23 – Sweat

The pills roll across my desk

gold tears of a translucent god

rare oil of rarer flowers

suspended in a mote of gold

rare flowers made into an

antidote for time’s relentless deluge

The note reads ‘I can do this’

‘this’ remaining undefined

to be used as needed

this is the past

here on my skin

my lost ambition

running down my sternum

these breathless

prayers to no god/dess

here, touch

for I weep everywhere

my tears

your ocean

the tide’s desire

to take us back

into its saline arms

force our confession

that all we know and are is but a

pause

between breaths

(July 2023)

[from the ongoing (and mainly unpublished) series Body of Work]

a Poem and a Warning

I’ve been writing The Fixer as a highly personal blog, and sometimes the personal is horrifying.  Poetry is a good medium for saying what is almost impossible to say.  Sparse, so targeted, able to express what is unsayable in any other way.

Consider this your content warning for a dirty word and a reference to a violent act. Things have been intense in my world lately, with a lot of big wins but also some really messed up stuff. This is some of that messed up. 


Bad News

that unexpected moment

when someone you used to fuck

gets arrested for murder

and you think

how strange to have been

naked and yet to have learned

nothing of one

another

(July 7, 2023)

Colorado

Thank god it was news

And not something you learned of later

A sidenote in someone else’s history

Thank god that it breaks hearts

That we call it what it is

A crime, a tragedy

Thank god we know it happened

And we don’t call it a joke

Pretend it doesn’t matter

Once, nobody cried when our lives were cut short

Once, daring to live your life meant you 

Deserved such a death

Destroyed in the act of acceptance

Immolated by a false fear

This underhanded belief 

masking itself as love

Yet our lives still matter less

Yet still we mourn

We rage

We do not deserve this

This death

These denials

Here, we stand

Here and now

No defeat

No erasure

No surrender

It is you who made this a war

It is you who are defeated

When all we ever wanted was peace

(June 2023)


This is not the most sophisticated poem, in that it makes its claims more overtly than others I have written.  The power of poetry is its ability to sidestep a facet of society and/or the human experience, not to avoid it but to observe it differently. 

Black and white divisions are for chessboards, not for people.   The natural world is characterized by permeable membranes.  Things must pass into you, out of you, through you, in order for you to be alive.  Parts of you are always dying and other parts being reborn and the idea that anything is static is simply that, an idea which says nothing about how reality actually behaves. 

The opposite of freedom isn’t imprisonment, it’s surveillance.

A sort of prayer

the sun rises from the pink horizon into the clear blue sky behind a lattice of the branches of spiny desert plants

Our Lady who art Chaos

Give us a fucking break

Thy Queendom comes

Whether we want it to or not

Give us no more than we can survive

At least for now

Because I got a lot of shit to do

Deliver my packages on time

And protect me from porch thieves

For this is the life we each have

Use it or lose it

We don’t have forever

Amen (or whatever)

(June 2023)

20 – Territory

a single upright square-edged boulder stands on a cliff edge like a sentinel, against a backdrop of the sparsely treed, pyramidal hills of Africa's Rift Valley

and there is in all of this a wish to disappear

to obliterate our old selves in a

burst of glittering gold

emerge phoenix-like from our own ashes

the pyre of history

the stubbled field of our ancestors

before the coming of the seed

I owe you nothing that you cannot

get for yourself

there is no debt between us

your unasked for gifts

left at the side of the road

leading to un-ceded territory

I owe you nothing in return

for all the nothing you have given me

as we meet empty-handed on the precipice

all of us straining for

a glimpse of

tomorrow

(2023)

This poem is part of a semi-published series called Body of Work, an ongoing dialog with identity and self-knowing.