20 – Territory

a single upright square-edged boulder stands on a cliff edge like a sentinel, against a backdrop of the sparsely treed, pyramidal hills of Africa's Rift Valley

and there is in all of this a wish to disappear

to obliterate our old selves in a

burst of glittering gold

emerge phoenix-like from our own ashes

the pyre of history

the stubbled field of our ancestors

before the coming of the seed

I owe you nothing that you cannot

get for yourself

there is no debt between us

your unasked for gifts

left at the side of the road

leading to un-ceded territory

I owe you nothing in return

for all the nothing you have given me

as we meet empty-handed on the precipice

all of us straining for

a glimpse of

tomorrow

(2023)

This poem is part of a semi-published series called Body of Work, an ongoing dialog with identity and self-knowing.

Line Poem 7

abstract painting: a figurative image of three silhouettes of faces overlaid in shades of blue and white. From the main figure's head, swirling circles of light and shadow suggest otherworldly yet shapeless imaginings.

punished

by

data

and

I

want

to

ask

why

but

no

one

will

ever

answer

the

phone

chop

the

wood

boil

the

water

return

return

return

return

remake

rejuvenate

restore

your

native

hope

your

soil-grown

wantings

your

endeavours

reach

down

and

know

your

self

(2023)


What am I doing with these line poems? They say so little, tell so much, but I believe there’s a balance between poetry that is born of long thought, and that which tears through us, that grasps a mere tenth of our feeling yet makes it manifest in a form that others can see.

I want to work harder. I want to burn. I want to push and push and push until I reach a lie, then push beyond. I want you to break when you read them. I want you to be reborn.

16 – Tear

they

said

my

eye

was

red

because

I

had

a

blocked

tear

duct

because

I

hadn’t

cried

enough

lately

and

I

said

how

the

fuck

is

that

possible?

(2023)

This poem is part of an ongoing dialog with identity and self-knowing. I’ve been buying a lot of new Canadian poetry at independent book fairs and am struck by its precision. A descriptive poetry, emotional but not instructive the way I find a lot of modern poetry can be. The poetry I like the best says “here we are, you and I, and this is what that’s like for me.” And the “you and I” can be anyone: you and everyone, you and no one, you and the world, you and yourself.

You maybe don’t have to love yourself. You can maybe just be satisfied with yourself and that will be enough for now. You don’t have to love toast but you might happily eat it every day. The heart is a muscle and all muscles need training. Even when the heart is metaphor for the locus of all your emotions, it must still be trained. If you want to move mountains, you start with one stone.

It is possible to exercise love for all creation by annihilating the self, but the empty vessel is itself a conceit, an opportunity only afforded in a society of abundance. If we are all Buddhists, who fills our begging bowls? Most of us must wade through the muck of our attachments–to spouses, children, parents, life–but to do this well requires an open, active heart. Brave-heartedness, the will to show love despite the countless reasons not to, will be key to our survival in the coming decades. Shallow, angry thinking cannot save us from our selves. We need more and stronger love.

We need more tears.

The Keeper

swearing cheapens everything

it fucking does

I went away to practice my elocution

why do you have to sexualize everything

you’re the one who insisted on the mountains

the snow like cream

the foothills dank with fir

sappy air that ignites when you snap your fingers

such danger

much fear

I went to practice elocution

the shape of words and

the morals

to every fairytale

eat the apple: sleep a thousand years unchanged

then fuck a prince

“so what’s the catch?”

(2023)

Have I written any poems this year?  I keep posting old poems to Insta because I’m lazy and I need content. I don’t write poetry with any diligence. Only when the words need to be poems and not my standard prose. 

But I went to an indie book fair yesterday.  Everyone in my town is a poet or knows a poet.  Pretty, pretty books everywhere. This is what I bought:

A photo of two books laying on a desk.  The book on the left is “Poetry is Queer” by the author Kirby. It has a light purple cover with a picture of a surreal phallic shape outlined by white buttons and filled in with googly eyes. This shape is passing through a circle of white buttons.  The book on the right is “Dream Rooms” by River Halen.  The cover is mainly black with bold white text and a colourful photo of hundreds of pieces of discarded chewing gum.  Both books are very, very queer.

The hangover

We get them from drinking, from drugs.  From the ending of a significant relationship.  From reading a book so stunning you can’t imagine reading anything else until you’ve gotten over it. And from writing, though I won’t claim to have produce any truly intoxicating prose.  Yet.

Funnily enough, one of the hallmark symptoms of a book-writing hangover is complete denial that that’s what you’re experiencing.  I laid down 20,000 (coherent, edited) words in only a few weeks. Yesterday I cried as I wrote the ending, because it’s a teaser story for a series I’m writing next year so it doesn’t end with a happily ever after, or even a happy for now. And yet this morning as I sat dumbfounded at my desk, unable to rouse the slightest interest in any aspect of authorpreneurship, I didn’t once think I had a hangover.

Of course I do.  I broke their hearts (spoiler: they’re not mad at each other.) And yes, fictional characters are just words arranged in a certain sequence on a page, but they are also active thought-forms, with what often feels to their creator as a sort of independent self-awareness.  It takes time for the writer to detach from a deeply felt composition. I’ve nursed this idea for a year, and now it’s no longer necessary.  There is a measure of grieving in this.  The last book was worse, as it was the culmination of two years of work and hung on a character who has become as real to me as my IRL friends.  That I can’t shake his hand is slightly painful. 

Only yesterday I wrote that creativity is a strange phenomenon.  The existence of the writing hangover just proves my point.

Remember to refill the well.

Photo by Levi XU on Unsplash

You cannot have it all

On a pale blue background, a fortune cookie has been broken in half and pulled apart to show the fortune, which reads "A plan you have been working on for a long time is beginning to take shape."

In something like 1997 I went to the Detroit Auto Show

Big deal, because no one ever does that, right?  It felt big.  It may in fact be the last time I felt technology was going to solve our problems, because they had electric cars, and they weren’t horrible little boxes but huge shiny objects of maximum desire. 

After a few hours of bright lights on slowly rotating supercars, we left the semi-arid wasteland that was downtown Detroit in the mid-1990s and returned to the innocuous inner/outer suburb of Ferndale (pre-gentrification, as in they didn’t even have an Old Navy yet) in my friend’s economy four-door.  An American-made car with an engine so poorly designed he feared to drive it two weekends in a row.  Clearly we were not yet living in the glittering super-future.

But I had a thought. Like any good chaos magician, I know what thoughts can do.  So I let this thought have its way for a little.  It was a thought about myself in the future.

Even ordinary people have heard of using visualization to get their goals. This is nothing new to magick, and is pretty much how anyone gets anything done, not by knowing how they will do the thing but by knowing what they want to have done by the end of doing it.

You have to see it, feel it, taste it, know the experience of success.  Our brains are easily fooled.  Thoughts and memories strike us like lived experience, and so giving yourself the “false memory” of having achieved your goal fools the mind into thinking: yes, you have achieved before, and yes, it was this amazing.  So let’s do it again.  

Cognitive Behavioural Therapy and vision-work and “clarifying your goals” are similar paths to a similar goal, that of getting to know the feeling of having what you want.  It’s one thing to plan how to reach your goal.  What works even better is believing the goal is so achievable that it might as well have already happened.  It exists in the future and all you need to do is keep moving and you will align with it. 

I don’t give a hot damn whether magick is ‘real’ or not.  It’s real because it works (we can discuss spelling in a minute if anyone cares.)  It’s so real that science does it too (see above under CBT) and spiritual practitioners of all stripes have been doing more or less exactly that for centuries.

What’s my point?

My point is that as we left the auto show I saw a sort of self.  A me that I might be.  And I wanted it.  I wanted that me to be a real me, to be where I was at the age of 45.  In ways too complex to explain, through circumstance and luck and a number of really interesting mistakes, I think I might have done it.

I think about myself way too much.  Really I do, so much that I had to start writing fiction to deal with all the selves I wish I could be. 

I can never read all the books I want; I can never be all the people I want and live all the lives I want. I can never train myself in all the skills I want. And why do I want? I want to live and feel all the shades, tones and variations of mental and physical experience possible in my life. And I am horribly limited.

― Sylvia Plath, The Unabridged Journals of Sylvia Plath

I’ve come to terms with my limitations.  There are thousands of experiences I will not and cannot ever have, no matter how badly I want them.  This isn’t because I’m denying myself, but because I simply do not have space or time in this single human life to do all one could ever want to do.  I have to choose how I spend my time with deliberation because I can only have so many decades left, and certain paths take a long time to walk. I could become a neurosurgeon/flamenco world champion/*insert huge achievement* if I truly wished, but I would have to give up what I’m presently doing and make that my sole endeavor. Do you see now what I mean?  There’s just too much world.  I can’t have it all.

But I can have my little vision.  I have become my little vision. 

Which means I had better get another one.

Untitled poem

romance yourself

don’t wait

you can love someone today

the lover is you

romance yourself

build expectations

make it clear to you what counts

and what is mere performance

yourself

needed by yourself

unneeding of all others

all boundaries are a wound

here

this skin

it is the least I can give you

(February 2022)